Joel beck författare

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In the early 1960s, he drew studio cards for Box Cards. The San Francisco Chronicle commented:

In 1965, his first full-length comic book, Lenny of Laredo, was published.
In a detailed 1987 self-portrait, Beck depicted himself in an ecstatic state, high on the act of creation, as he labored at his drawing table late into the night, surrounded by his books, artwork, comics, Pepsi and dog.^[3]
Fine art
An accomplished fine artist, Beck created many paintings in acrylics, oils and watercolors—artwork now sought by international collectors.

It was a satire loosely based on the career of embattled comedian Lenny Bruce. He went on to contribute strips to suchalternative California institutions as THEBERKELEY BARB and satirical posters (notably asexy "Odalesque" with a reclining Daisy Duck)and comix such as YELLOW DOG for ThePrint Mint.
Joel Beck was an early and regular contributor tothe Kitchen Sink Press undergroundanthologies SNARF, BIZARRE SEX and DOPECOMIX and the Kitchen/Marvelexperiment COMIX BOOK, as well as the 1978one-shot BANZAI! co-created with KimDeitch and the late Roger Brand.

He lived for several months in Manhattan in 1962 before returning to the West Coast. In the early 1960s Joel Beck had a nine-to-five job working for Roth Greeting Cards.
Other comics of Joel Beck are 'Marching Marvin' (1966) and 'The Profit' (1966).
Tributes
Kevin Fagan wrote Beck's obituary for the San Francisco Chronicle: Template:Blockquote
References
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External links
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Books by Joel Beck

Reclaiming the Canon: Essays on Philosophy Poetry and History
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4.57 avg rating — 7 ratings — published 1998 — 5 editions

Joel Beck's Comics and Stories
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3.50 avg rating — 2 ratings

Rohrbach-lès-Bitche (Canton de)
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0.00 avg rating — 0 ratings

Sarreguemines et ses environs
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0.00 avg rating — 0 ratings

Bitche (Pays de) 1900-1939 (French Edition)
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0.00 avg rating — 0 ratings

Rohrbach-lès-Bitche et son canton (Chroniques lorraines)
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0.00 avg rating — 0 ratings

Joel Beck's Comics and Stories
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0.00 avg rating — 0 ratings — 3 editions

Om Home Made Comix No 10 English Edition
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Banzai
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The profit
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0.00 avg rating — 0 ratings — 2 editions

Lenny of Laredo
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0.00 avg rating — 0 ratings — 2 editions

SURVIVAL & AVALANCHE COURSE NOTES THE HISTORY OF THE SIERRA HIGH ROUTE
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0.00 avg rating — 0 ratings — published 2014

Spouts: The Whale Who Saved Christmas
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0.00 avg rating — 0 ratings — published 2010 — 2 editions

Yellow Dog Vol.

I, Issue #4
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Yellow Dog Vol. I, Issue #8
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0.00 avg rating — 0 ratings

Flying Rutabaga Comic Arts Journal, Spring 1979
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0.00 avg rating — 0 ratings — 3 editions

Yellow Dog Vol.

I, Issue #3
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0.00 avg rating — 0 ratings

Yellow Dog Vol. II, Issues 11 & 12
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0.00 avg rating — 0 ratings

Artist Bio: Joel Beck

JOEL BECK (1944-1999).

When Joel Beck publishedthe Lenny Bruce-inspired comic LENNY OFLAREDO in 1965, he entered intohistory as thecreator of the second underground comic everpublished: Jack Jackson had preceded himwith GOD NOSE, but Beck beat RobertCrumb's seminal ZAP by a good twoyears.

The comic strip that gave him this historical importance is 'Lenny of Laredo' (1965), a satirical riches-to-rags story about a foul-mouthed comedian obviously modeled after cult humorist Lenny Bruce.

Among his graphic influences are Robert Crumb, Jack Davis, Frank Frazetta, Albert Hurter, Walt Kelly, Harvey Kurtzman and Ronald Searle.

Block' (1912) and the infamous Tijuana Bibles from the 1930s and 1940s). In Richmond, California, while attending De Anza High School, he began a lifelong friendship with the cartoonist Roger Brand. During that time he published three underground comic books, Lenny of Laredo, Marching Marvin, and The Profit.

Biography

Early life

Born in Ross, California, Beck grew up in El Sobrante, California, as an ill and bedridden child, who battled a combination of tuberculosis and spinal meningitis. Comments From Contemporaries (St. Visiting UC Berkeley, he started submitting cartoons to the campus humor magazine, The Pelican, slipping them under the door to editors who believed he was a college student.

Until his death in 1999, Joel Beck lived in obscurity in Point Richmond, California doing occasional advertising commissions and being looked after by friends.

Beck wrote a personal homage to Robert Crumb in Monte Beauchamp's book 'The Life and Times of R. Crumb. Kinney made a graphic contribution to 'ProJunior’ (Kitchen Sink Press, 1971), a one-shot comic book paying homage to Don Dohler's character ProJunior. Beck's work appeard in several underground comix magazines (Snarf, Comix Book and others) until the late 1970s, when his work disappeared from the scene.

Later in his abbreviated life heproduced mainly commissioned drawings and paintingsfor a small circle of friends and connoisseurs.

[Obituary taken in part from fromthe 2000 Harvey Awards ceremony.]

Joel Beck

The Profit

Joel Beck was one of the earliest artists of American underground comix.

His comic book Lenny of Laredo, one of the earliest underground comic books of the 1960s, was the first underground comic book published on the West Coast. In January 1966, The Pelican reprinted much of his previous work and labeled him "Man of the Decade".^[2] His cartoons also appeared in the Berkeley Barb, and he penned a number of handbills and posters for the Jabberwock coffeehouse on Telegraph Avenue in Berkeley.^[1] In addition, he was a founding member and regular contributor to the underground anthology Yellow Dog, published from 1968 to 1973.

KitchenSink also collected his earliest work underthe title Joel Beck's Comics and Stories.

Though Beck was prolificearly in his career, his output droppedprecipitously in the last two decades of his life,due in large part to illness and chronichomelessness. magazine in the'60s.